The Tripod
The Tripod, 2019 (Detail Feet)
The Tripod, 2019
The Tripod, 2019
The Tripod, 2019 (Detail Head)
Ceramic and textiles
2019 C.A.S.E.Inc Postcard Exhibition
Hunger, 2019 (Collage and Ink on Ply)
Feeding, 2019 (Collage and Ink on Ply)
Ply wood, Collage and Ink
Future Northern Rivers: Performance Drawing
Water soluble graphite on paper
Vivid Dreaming (Red)
Following a travel scholarship to japan Fabian creates ambiguous drawings of the Japanese landscape and metropolis allowing the ink and water to gain a life of its own. He interprets his vivid memories through dreamy recollection. Transient imagery echoes the traditional customs and iconography of Japanese culture, and reflects the anxieties which accompanied him throughout the trip.
Ink on paper
Opposite Matters
Opposite Matter 3, 2019 (Detail)
Opposite Matters 2, 2019 (Detail)
Opposite Matters 2, 2019 (Cement, chicken wire, textiles and clay slip)
Opposite Matters 1, 2019 (Ply wood, barbed wire and mould)
Opposite Matters 3, 2019 (Textiles, hand made rope and Clay slip)
The three assemblages that comprise Opposite Matters take a closer look at some of the materials which we interact with on a daily basis and how they relate to our perception of gender. Domestic items such as floral curtains, Rope made from bedsheets and a cushioned quilt cover are contrast with the familiar industrial materials of Concrete, chicken netting, Barbed wire and Ply wood. These relationships between soft and hard, flexible and rigid reference some of the qualities associated with traditional masculinity and femininity, and allude to the roles that men and women play in society.
Ply wood, barbed wire, mould, cement, chicken wire, textiles, clay slip and hand made rope
Various Works 2019
